Across this past year, the people who make Rewind what it is – writers, editors, designers, researchers, and more – have shared what it has meant to them. “I have been with Rewind (pretty much) since the very beginning, and it has been so incredible watching it grow into print editions, projects, and even a national award! Working on the design team has meant I have been able to read and interact with so many outstanding articles. It is undeniable how much impact Rewind has h

The use of pigs as relevant to the function of a fascist in matters of agriculture and in opposition to a fascist nation and narrative in the 20th century emerges as an interesting lens through which to observe totalitarian states. In matters of material importance, pigs can display the function of independent industry from imports that fascists would seek to achieve. They also allow us to analyse the use of propaganda to construct ideas that could either support or defeat a

On February 5, 2003, United States Secretary of State Colin Powell addressed the United Nations Security Council and declared Iraq possessed weapons of mass destruction. He held up a vial of white powder, displayed satellite photographs and played intercepted Iraqi phone calls. The Washington Post called the presentation “irrefutable”. Nine days after, French Foreign Minister Dominique de Villepin rose at the same podium with no props, no satellite imagery and argued the insp

There is a bronze statue in a Suffolk town that most people will never visit. It stands among the ruins of what was once the largest Romanesque church ever built – a building whose footprint would have dwarfed Salisbury Cathedral, its west front reckoned amongst the most extraordinary architectural facades in all of Europe. The man in bronze is young, crowned, and his eyes are closed. He is St Edmund: ninth-century king of East Anglia, martyr, and – long before St George acqu